<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//RUS"> <head> <meta http-equiv=Content-Type content="text/html; charset=windows-1251"> <title>%0@CB> ;5:A0=4@ 8B0;L528G</title> </head> <body bgcolor="#ffe2c6" lang=RU link=black vlink=maroon alink=Red> <h2><div align="center">%0@CB> ;5:A0=4@ 8B0;L528G</div></h2> <table border=0 cellspacing=25 cellpadding=0> <tr> <td> <img width=200 height=280 src=photo.jpg border=0> </td> <td width=700 nowrap> >48;AO 2 1949&nbsp;3. 2 >A:25. &nbsp;1971&nbsp;3. >:>=G8; >A:>2A:89 M;5:B@>B5E=8G5A:89 8=AB8BCB A2O78 (=K=5  >A:>2A:89 "5E=8G5A:89 C=825@A8B5B A2O78 8 8=D>@<0B8:8), :0=4840B B5E=8G5A:8E =0C: (1989) ?> A?5F80;L=>AB8 &quot;"5>@8O A2O78&quot;, 4>F5=B (2004).<br> !&nbsp;1994&nbsp;3.&nbsp; 70254CNI89 KG8A;8B5;L=K< F5=B@><, A 2006&nbsp;3.  0CG=>-CG51=K< F5=B@>< <C7K:0;L=>-:><?LNB5@=KE B5E=>;>389, A 2010&nbsp;3.&nbsp; 0CG=>-8AA;54>20B5;LA:8< F5=B@>< <C7K:0;L=>-8=D>@<0F8>==KE B5E=>;>389 >A:>2A:>9 3>AC40@AB25==>9 :>=A5@20B>@88 8<5=8 .&nbsp;.&nbsp;'09:>2A:>3>.<br> ! 2002&nbsp;3.&nbsp; 4>F5=B :0D54@K B5>@88 <C7K:8  (?> A>2<5AB8B5;LAB2C), A 2010&nbsp;3.  4>F5=B :0D54@K <C7K:0;L=>-8=D>@><0F8>==KE B5E=>;>389, 702. :0D54@>9.</p> </td> </tr> </table> <br> <br> <h3>1;0AB8 =0CG=KE 8=B5@5A>2</h3> <ul type=disc> <li>8=D>@<0B8:0, <C7K:0;L=>-8=D>@<0F8>==K5 B5E=>;>388 2 <C7K:>2545=88 8 <C7K:0;L=>9 ?5403>38:5 </li> <li>:><?LNB5@=K5 <5B>4K 8AA;54>20=8O 2 A>F80;L=KE =0C:0E 8 8A:CAAB2>2545=88 </li> </ul> <br> <h3>1;0AB8 45OB5;L=>AB8</h3> <ul type=disc> <li>?@5?>4020=85 :C@A0 &quot;C7K:0;L=0O 8=D>@<0B8:0&quot;, &quot;C7K:0;L=>-8=D>@0<F8>==K5 B5E=>;>388&quot; </li> <li>@07@01>B:0 ?@>3@0<< 4;O :><?LNB5@=>3> 0=0;870 <C7K:0;L=KE D>=>3@0<< (8AA;54>20=85 <5;>48G5A:>3> @8AC=:0 8 B5<1@>2KE >A>15==>AB59) <a href="http://www.kharuto.ru/SPAX-demo/index.htm">5<>-25@A8O ?@>3@0<<K SPAX</a> </li> <li>@07@01>B:0 :><?LNB5@=KE ?@>3@0<< 4;O 0=0;870 A>F8:C;LBC@=KE 40==KE (2>;=>2K5 ?@>F5AAK, ?5@8>48G=>ABL) </li> </ul> <br> <h3>#G0AB85 8 @C:>2>4AB2> @01>B0<8, ?>445@60==K<8 @07;8G=K<8 D>=40<8</h3> <ul type=disc> <li>&quot;C7K:>254G5A:89 8 M:A?5@8<5=B0;L=>-B5>@5B8G5A:89 0=0;87 M<>F8>=0;L=>9 2K@078B5;L=>AB8 2 <C7K:0;L=>< 8A?>;=8B5;LAB25&quot; ( >AA89A:89 C<0=8B0@=K9 =0CG=K9 D>=4, 1995-1997, ?>4 @C:. ?@>D. ..&nbsp;.&nbsp; 03A0,&nbsp; CG0AB=8:) </li> <li>&quot;!>740=85 8 ?>445@60=85 =B5@=5B- A5@25@0 8 :;0AA0 2 >A:>2A:>9 :>=A5@20B>@88&quot; ($>=4 !>@>A0&nbsp; =AB8BCB B:@KB>5 >1I5AB2>, 1997,&nbsp; @C:>2>48B5;L) </li> <li>&quot;-<>F8>=0;L=0O :><?>=5=B0 M2>;NF88 8 @52>;NF89. ?KB :>;8G5AB25==>3> 0=0;870&quot; ( >AA89A:89 $>=4 DC=40<5=B0;L=KE 8AA;54>20=89, 1996-1998,&nbsp; @C:>2>48B5;L) </li> <li>&quot; 07@01>B:0 <5B>4>2 0=0;870 72C:>2KA>B=>9 8=B>=0F88 2 :;0AA8G5A:>9 8 D>;L:;>@=>9 <C7K:5 =0 >A=>25 =>2KE 8=D>@<0F8>==KE B5E=>;>389&quot; ( >AA89A:89 $>=4 DC=40<5=B0;L=KE 8AA;54>20=89, 1998-1999, ?>4 @C:. ?@>D. ..&nbsp;.&nbsp; 03A0,&nbsp; CG0AB=8:) </li> <li>&quot;7<5@5=85 :C;LBC@=>3> ?>B5=F80;0 =0A5;5=8O: @538>=0;L=K5 8 MB=8G5A:85 3@C??K&quot; (@0=B @57845=B0 $ 2 >1;0AB8 :C;LBC@K 8 8A:CAAB20, 45:. 1997-023. 1998, ?>4 @C:. ?@>D. .&nbsp;.&nbsp;5B@>20,&nbsp; CG0AB=8:) </li> <li>>43>B>2:0 8 8740=85 CG51=>3> ?>A>18O ?> :C@AC &quot;C7K:0;L=0O 8=D>@<0B8:0&quot; (3@0=BK 8=8AB5@AB20 :C;LBC@K $ 1999 3. 8 2000&nbsp;3.&nbsp; 02B>@) </li> <li>&quot;KO2;5=85 70:>=><5@=>AB59 B5<1@>2>-72C:>2KA>B=>9 AB@C:BC@K D>;L:;>@=>9 <C7K:8 @07;8G=KE =0@>4>2 >AA88 =0 1075 =>2KE 8=D>@<0F8>==KE B5E=>;>389&quot; ( >AA89A:89 D>=4 DC=40<5=B0;L=KE 8AA;54>20=89, 2000-2002, ?>4 @C:. .&nbsp;.&nbsp;>340=>20,&nbsp; CG0AB=8:) </li> </ul> <br> <h3>C1;8:0F88 ?> B5<0B8:5 @01>B 2 </h3> <b>!B0BL8 8 4>:;04K ?> :><?LNB5@=><C 0=0;87C 72C:0:</b><br> <ul type=disc> <li><b>>@>7>2&nbsp;.&nbsp;., C7=5F>2&nbsp;..&nbsp;., %0@CB>&nbsp;.&nbsp;.</b> 1 >A>15==>ABOE A?5:B@0 3>;>A0 ?52F>2 @07=KE 60=@>2. @>1;5<K 8=D>@<0F8>==>9 :C;LBC@K, 2K?. 2. =D>@<0F8>==K9 ?>4E>4 8 8A:CAAB2>7=0=85.&nbsp; .&nbsp; @0A=>40@, 1995.&nbsp; !.&nbsp;147-156. </li> <li><b>%0@CB>&nbsp;.&nbsp;.</b> ><?LNB5@=K9 0=0;87 72C:0 2 <C7K:>254G5A:>< 8AA;54>20=88. "@C4K <564C=0@>4=>3> =0CG=>3> A8<?>78C<0 &quot;=D>@<0F8>==K9 ?>4E>4 2 M<?8@8G5A:>9 MAB5B8:5&quot;. "030=@>3: 74. " "#, 1998.&nbsp; C.&nbsp;189-208. </li> <li><b>%0@CB>&nbsp;.&nbsp;.</b> #G51=K9 :C@A &quot;C7K:0;L=0O 8=D>@<0B8:0&quot; 2 KG8A;8B5;L=>< F5=B@5 >A:>2A:>9 :>=A5@20B>@88. C7K:0 8 8=D>@<0B8:0: !1>@=8: AB0B59./ 0CG=K5 B@C4K >A:>2A:>9 3>AC40@AB25==>9 :>=A5@20B>@88. !1.24. ., 1999.&nbsp; A.&nbsp;9-18. </li> <li><b>%0@CB>&nbsp;.&nbsp;., !<8@=>2&nbsp;.&nbsp;.</b> A?>;L7>20=85 :><?LNB5@=>3> 0=0;870 2 8AA;54>20=88 72C:>2KA>B=>3> AB@>5=8O =0@>4=>9 <C7K:8. //0B5@80;K 564C=0@>4=KE :>=D5@5=F89 ?0<OB8 .&nbsp;.&nbsp; C4=52>9.  ., 1999.&nbsp; !.&nbsp;335-340. </li> <li><b>Alexander&nbsp;V.&nbsp;Kharuto, Dmitry&nbsp;V.&nbsp;Smirnov.</b> Folklore singing: A viewpoint of semiotics. //7-th International Congress of the International Assotiation for Semiotic Studies. TU Dresden, October 3-6, 1999.&nbsp; P.&nbsp;215-216.</li> <li><b>!BC;>20&nbsp;.&nbsp;., %0@CB>&nbsp;.&nbsp;.</b>  ?@8<5=5=88 :><?LNB5@=>3> 0=0;870 D>=>3@0<< 2 2>:0;L=>9 ?5403>38:5. "578AK 4>:;040 <562C7>2A:>9 =0CG=>-?@0:B8G5A:>9 :>=D5@5=F88 &quot;C7K:0;L=>-MAB5B8G5A:>5 >1@07>20=85 2 A>F8>:C;LBC@=>< @0728B88 ;8G=>AB8&quot;, 25-26 D52@0;O 1999&nbsp;3., :0B5@8=1C@3.  ##, 1999.&nbsp; !.&nbsp;69-70. </li> <li><b>%0@CB>&nbsp;.&nbsp;.</b> @>3@0<<0 CG51=>3> :C@A0 C7K:0;L=0O 8=D>@<0B8:0 2 >A:>2A:>9 :>=A5@20B>@88. "578AK 4>:;040 <562C7>2A:>9 =0CG=>-?@0:B8G5A:>9 :>=D5@5=F88 &quot;C7K:0;L=>-MAB5B8G5A:>5 >1@07>20=85 2 A>F8>:C;LBC@=>< @0728B88 ;8G=>AB8&quot;, 25-26 D52@0;O 1999&nbsp;3., :0B5@8=1C@3.&nbsp; ##, 1999.&nbsp; !.&nbsp;93-94. </li> <li><b>%0@CB>&nbsp;.&nbsp;.</b> ><?LNB5@=0O @0AH8D@>2:0 D>=>3@0<< D>;L:;>@=>3> ?5=8O /"2>@G5AB2> 2 8A:CAAB25  8A:CAAB2> B2>@G5AB20/ >4 @54. .&nbsp;>@D<0=0, .&nbsp;0@B8=459;0, .&nbsp;5B@>20, .&nbsp;0E>B:8, 6.&nbsp;C?G8:0.  >A:20: 0C:0; !<KA;, 2000.&nbsp; !.&nbsp;325 336. </li> <li><b>%0@CB>&nbsp;.&nbsp;., >340=>2&nbsp;.&nbsp;.</b> C7K:0;L=K9 D>;L:;>@ 8 8=D>@<0B8:0: A>?>AB02;5=85 ?>4E>4>2. 0B5@80;K <564C=0@>4=>3> =0CG=>3> A8<?>78C<0 =D>@<0F8>==0O ?0@0483<0 2 =0C:0E > G5;>25:5. "030=@>3: 74-2> " "#, 2000.&nbsp; !.&nbsp;207-212. </li> <li><b>%0@CB>&nbsp;.&nbsp;.</b> ><?LNB5@=K9 0=0;87 72C:0 4;O <C7K:>254G5A:>3> 8AA;54>20=8O. "578AK 4>:;04>2 IIV <564C=0@>4=>9 :>=D5@5=F88 0B5<0B8:0. ><?LNB5@. 1@07>20=85 (C1=0, 23-30 O=20@O 2000).&nbsp; >A:20: @>3@5AA-"@048F8O, 2000.&nbsp; !.&nbsp;340. </li> <li><b>!<8@=>2&nbsp;.&nbsp;., %0@CB>&nbsp;.&nbsp;.</b> 5;8=59=K9 72C:>@O4 2 <C7K:0;L=>< D>;L:;>@5: >1I0O 70:>=><5@=>ABL 8 8=48284C0;L=>ABL. // /7K:8 =0C:8  O7K:8 8A:CAAB20 / 1I. @54. .&nbsp;.&nbsp;C@02;52>9, .&nbsp;.&nbsp;>?F8:0, .&nbsp;..&nbsp; 57=8G5=:>.&nbsp; ., 2000.&nbsp; !.&nbsp;347-352. </li> <li><b>0B0C;;8=0&nbsp;.&nbsp;"., !BC;>20&nbsp;.&nbsp;., %0@CB> . .</b> ><?LNB5@=K9 <5B>4 0=0;870 D>=>3@0<< ?52G5A:>3> 3>;>A0. //>?@>AK A>25@H5=AB2>20=8O ?@>D5AA8>=0;L=>9 ?>43>B>2:8 ?5403>30-<C7K:0=B0: !1>@=8: =0CG=KE B@C4>2. K?.&nbsp;6.&nbsp; ., #, 2001.&nbsp; !.&nbsp;102 108. </li> <li><b>Igor&nbsp;A.&nbsp;Bogdanov, Alexander&nbsp;V.&nbsp;Kharuto.</b>Musical Folklore and computer sound analysis. //XVth European Seminar in Ethnomusicology (ESEM), 1999, November 12 15, London.&nbsp; Accademia Nazionale di S.&nbsp;Cecilia, Roma, 2001, 12&nbsp;p., 7&nbsp;fig. </li> <li><b>Kharuto Alexander&nbsp;V., Smirnov Dmitry&nbsp;V. </b>Information approach in examining of evolution of Russian northern folk musical tradition. Proceedings of IAEA-2002 (17-th Congress of the International Association of Empirical Aesthetics, Takarazuka, Japan, 4-8 August 2002).&nbsp; Takarazuka, 2002,P.&nbsp;313 318.</li> <li><b>Kharuto Alexander&nbsp;V.</b> Folk music sound: Methods and results of computer analysis. //Current Trends in Russian Approaches to Art and Culture: Bulletin of Psychology and the Arts, Vol.3.&nbsp; Society for Psychology of Aesthetics, Creativity, and Culture, 2003.&nbsp; p.35 37.</li> <li><b>%0@CB>&nbsp;.&nbsp;.</b> ><?LNB5@=K9 0=0;87 72C:0 8 87<5@5=85 E0@0:B5@8AB8: AB8;O D>;L:;>@=>3> 8A?>;=5=8O. !1>@=8: B@C4>2 XII 564C=0@>4=>9 =0CG=>9 :>=D5@5=F88  =D>@<0B870F8O ?@02>>E@0=8B5;L=KE A8AB5< .&nbsp; ., :045<8O C?@02;5=8O  >AA88., 2003.&nbsp;&nbsp; !.&nbsp;288 291.</li> <li><b>!<8@=>2&nbsp;.&nbsp;., %0@CB>&nbsp;.&nbsp;.</b> ><?LNB5@=K9 0=0;87 D>;L:;>@=>3> 8A?>;=5=8O :0: A@54AB2> A>E@0=5=8O B@048F88. 0B5@80;K <564C=0@>4=>9 =0CG=>9 :>=D5@5=F88  C;LBC@0 8 >1@07>20=85 2 8=D>@<0F8>==>< >1I5AB25 .&nbsp; @0A=>40@, #, 2003.&nbsp; !.&nbsp;180-182.</li> <li><b>%0@CB>&nbsp;.&nbsp;.</b> KG8A;8B5;L=K9 F5=B@ >A:>2A:>9 3>AC40@AB25==>9 :>=A5@20B>@88: >?KB 45AOB8 ;5B @01>BK. //!1>@=8: B@C4>2 XIII 564C=0@>4=>9 :>=D5@5=F88  =D>@<0F8>==K5 B5E=>;>388 2 >1@07>20=88 , '.&nbsp;3.&nbsp; ., @>A25I5=85, 2003.&nbsp; !.&nbsp;149-150.</li> <li><b>%0@CB>&nbsp;.&nbsp;.</b> ><?LNB5@=K9 0=0;87 <C7K:0;L=>3> 72C:0 8 AB8;O 8A?>;=5=8O.// C7K:0 2 8=D>@<0F8>==>< <8@5. 0C:0. "2>@G5AB2>. 5403>38:0: !1>@=8: =0CG=KE AB0B59. 0CG=K5 @540:B>@K: .&nbsp; .&nbsp;"0@0520, ".&nbsp;$.&nbsp;(0:. >AB>2-=0->=C: 74. >AB>2A:>9 3>AC40@AB25==>9 :>=A5@20B>@88 8<.&nbsp;!.&nbsp;.&nbsp; 0E<0=8=>20, 2004.  !.&nbsp;142-163. <li><b>Kharuto, Alexander&nbsp;V.</b> Computer Sound Analysis of Folklore Singing and Problems of Notation. // Abstract Book. International Summer School for Semiotics and Structural Studies. Imatra, Finland, June 3-9, 2004.&nbsp; Finnish Network University of Semiotics, 2004, p.&nbsp;23-25. <li><b>Kharuto, Alexander&nbsp;V.</b> About Elementary Musical Sounds Used in Vocal Performance (Theoretical and Empirical Study). // Proceedings of the XVII Congress of the Association of the Empirical Aesthetics. C.Gulbenkian Foundation, Lisbon, Portugal, September 13-16, 2004. Ed.: J.&nbsp;P.&nbsp;Frois, P.&nbsp;A.&nbsp;Marques, F.&nbsp;Marques.&nbsp;&nbsp; IAEA, Lisbon, 2004, p.&nbsp;152-156. <li><b>%0@CB>&nbsp;.&nbsp;.</b> =D>@<0F8>==>-:><?LNB5@=K5 <5B>4K 0=0;870 72C:0 2 <C7K:>254G5A:>< 8AA;54>20=88. // 0B5@80;K 564C=0@>4=>9 =0CG=>9 :>=D5@5=F88 "@>1;5<K 8=D>@<0F8>==>9 :C;LBC@K", 0:C (75@109460=), 6-7 >:BO1@O 2004.&nbsp; 0:C, 0F8>=0;L=0O :045<8O =0C: 75@109460=0, =-B 0@E8B5:BC@K 8 8A:CAAB20, 2004. !.&nbsp;207-226. <li><b>%0@CB>&nbsp;.&nbsp;.</b> 1 8AA;54>20=88 E0@0:B5@8AB8: 281@0B> 2 0:045<8G5A:>< ?5=88. // !1. B@C4>2 XVI A5AA88 >AA89A:>3> 0:CAB8G5A:>3> >1I5AB20. ".&nbsp;2.,&nbsp; : !, 2005.&nbsp; !.&nbsp;40-44. <li><b>%0@CB>&nbsp;.&nbsp;.</b> ><?LNB5@=K5 <5B>4K 0=0;870 72C:0 2 <C7K:>254G5A:>< 8AA;54>20=88. // C7K:0 8 2@5<O, !&nbsp;8, 2005.&nbsp; !.&nbsp;55-59. <li><b>%0@CB>&nbsp;.&nbsp;.</b> !B0B8AB8G5A:>5 8AA;54>20=85 E0@0:B5@8AB8: 281@0B>. // !1>@=8: B@C4>2 XIV <564C=0@>4=>9 =0CG=>9 :>=D5@5=F88 "=D>@<0B870F8O 8 8=D>@<0F8>==0O 157>?0A=>ABL ?@02>>E@0=8B5;L=KE >@30=>2".&nbsp; .: :045<8O C?@02;5=8O  >AA88, 2005.&nbsp; !.&nbsp;348-352. <li><b>Kharuto, Alexander&nbsp;V.</b> Computer analysis of vibrato properties in academic vocal performance. /Culture and Communication. Proc. of the XIX Congress of IAEA. /H. Gottesdiener, J.-C.&nbsp;Vilatte (Eds.)&nbsp; Univ. de Avignon, 2006, p.&nbsp;226-229. <li><b>C?8=>A&nbsp;!.&nbsp;., %0@CB>&nbsp;.&nbsp;.</b> 5:>B>@K5 AB>@>=K 8=B>=0F8>==>9 ?@8@>4K O?>=A:>9 B0=:0 2 :>=B5:AB5 2>7<>6=>AB59 :><?LNB5@=>3> 0=0;870. // C;LBC@0 0;L=53> >AB>:0 >AA88 8 AB@0= " : >AB>:-0?04. 0B5@80;K =0CG=KE :>=D5@5=F89. K?.&nbsp;11, 12.&nbsp; ;0482>AB>:, 74. "-#, 2006.&nbsp; !.&nbsp;270-279. <li><b>Kharuto, Alexander&nbsp;V.</b> Computer Sound Analysis in Musicology: Its Goals, Methods, and Results. / In: L.&nbsp;Dorfman, C.&nbsp;Martindale, V.&nbsp;Petrov (Ed.). Aesthetics and Innovation&nbsp; Cambridge Scholars Publishing, 2007, p.&nbsp;305-322. <li><b>%0@CB>&nbsp;.&nbsp;., 0@5;8=0&nbsp;.&nbsp;.</b>  2>?@>AC > <C7K:0;L=>-0:CAB8G5A:8E A2>9AB20E BC28=A:>3> 3>@;>2>3> ?5=8O. "C7K:0;L=0O 0:045<8O", 2008, !&nbsp;4.&nbsp; !.&nbsp;108-113. <li><b>%0@CB>&nbsp;.&nbsp;.</b> "C28=A:>5 3>@;>2>5 ?5=85: 0:CAB8G5A:89 0=0;87 8 <>45;L 72C:>>1@07>20=8O //c1. B@C4>2 %% A5AA88 >AA89A:>3> 0:CAB8G5A:>3> >1I5AB20, A5:F8O ":CAB8:0 @5G8".&nbsp; ., , 2008.&nbsp; !.&nbsp;106-110. <li><b>%0@CB>&nbsp;.&nbsp;.</b> "C28=A:>5 3>@;>2>5 ?5=85: D>@<8@>20=85 <=>3>3>;>A8O ?@8 ">4=>3>;>A=><" A?5:B@5 (<>45;L 72C:>>1@07>20=8O 8 2>A?@8OB8O) //A1. <0B5@80;>2 V 564C=0@>4=>3> MB=><C7K:>;>38G5A:>3> A8<?>78C<0 "%><59 - D5=><5= :C;LBC@K =0@>4>2 &5=B@0;L=>9 788".&nbsp; K7K;, 564C=0@>4=K9 =0CG=K9 F5=B@ "%><59", UNESCO, 2008.&nbsp; !.&nbsp;124-134 (@CAA:. 8 0=3;. B5:AB). <li><b>%0@CB>&nbsp;.&nbsp;.</b> ><?LNB5@=K9 0=0;87 E0@0:B5@8AB8: 72C:0 2 7040G0E 8AA;54>20=8O @07;8G=KE AB8;59 <C7K:0;L=>3> 8A?>;=5=8O./C7K:0 =0@>4>2 <8@0: ?@>1;5<K 87CG5=8O. 0B5@80;K =0CG=KE :>=D5@5=F89. K?. 1./ 54.-A>AB. .&nbsp;.&nbsp;.=CA>20, .&nbsp;.&nbsp;%0@CB>.&nbsp; .,: 0CG=>-8740B5;LA:89 F5=B@ ">A:>2A:0O :>=A5@20B>@8O", 2008. !.&nbsp;388-408. <li><b>%0@CB>&nbsp;.&nbsp;.</b> ><?LNB5@=K9 0=0;87 72C:>2KA>B=>9 A8AB5<K 3>;>A0. //!1. B@C4>2 XVIII 564C=0@>4=>9 =0CG=>9 :>=D5@5=F88: =D>@<0B870F8O 8 8=D>@<0F8>==0O 157>?0A=>ABL ?@02>>E@0=8B5;L=KE >@30=>2.&nbsp; ., :045<8O C?@02;5=8O , 2009. !.&nbsp;314-321. <li><b>%0@CB>&nbsp;.&nbsp;.</b> %0@0:B5@8AB8:8 72C:0 2 D>;L:;>@=>< 8 =5D>;L:;>@=>< AB8;5 8A?>;=5=8O (@57C;LB0BK :><?LNB5@=>-0:CAB8G5A:>3> 0=0;870)// !1. =0CG=KE B@C4>2 "54520=>2A:85 GB5=8O".&nbsp; .,  8<. ??>;8B>20-20=>20, 2009. !.&nbsp;174-189. <li><b>%0@CB>&nbsp;.&nbsp;.</b> ><?LNB5@=K9 0=0;87 72C:0 2 <C7K:>2545=88 8 <C7K:0;L=>9 ?5403>38:5. "C7K:0;L=0O 0:045<8O", !&nbsp;4, 2009.&nbsp; !.&nbsp;77-83. <li><b>%0@CB>&nbsp;.&nbsp;., 0@5;8=0&nbsp;.&nbsp;.</b> 1 0:CAB8G5A:8E >A>15==>ABOE G0BE0==>9 <C7K:8. / !1. 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AB. . . 15@5<:>; # (-, ! , !. .: # (-, 2011. !. 55 60. <li><b>%0@CB>&nbsp;.&nbsp; .,&nbsp; >20;5=:>&nbsp; ".&nbsp; .,&nbsp;C;8G:8= &nbsp;.&nbsp;.,&nbsp; 06C;L&nbsp; .&nbsp; .,&nbsp; 5B@>2&nbsp;.&nbsp; .&nbsp; </b> =B5=A82=>ABL EC4>65AB25==>9 687=8: 0=0;87 ?5@8>48G5A:8E :><?>=5=B. /  :=.: 0:04. . . ;8:>, 0:04. . . '5@5H=52 (>B2. @54.). B;0A 2@5<5==KE 20@80F89 ?@8@>4=KE 0=B@>?>35==KE 8 A>F80;L=KE ?@>F5AA>2. ">< 5. '5;>25: 8 B@8 >:@C60NI85 53> A@54K.  .: /=CA-, 2013, !. 645 665. </ul> <br> <br> <b>=838:</b> <ul> <li><b>%0@CB>&nbsp;.&nbsp;.</b> C7K:0;L=0O 8=D>@<0B8:0. ><?LNB5@ 8 72C:: #G51=>5 ?>A>185 ?> B5>@5B8G5A:><C :C@AC 4;O ABC45=B>2 8 0A?8@0=B>2 <C7K:0;L=>3> 2C70.&nbsp; .: >A:>2A:0O 3>AC40@AB25==0O :>=A5@20B>@8O, 2000.&nbsp; 387&nbsp;A., 8;;. </li> <li><b>%0@CB>&nbsp;.&nbsp;.</b> C7K:0;L=0O 8=D>@<0B8:0. "5>@5B8G5A:85 >A=>2K. ., , 2008.&nbsp; 400&nbsp;A., 8;;. <li><b>%0@CB>&nbsp;.&nbsp;.</b> ><?LNB5@=0O >1@01>B:0 B5:AB>2 8 8;;NAB@0F89. 01>B0 A Windows 8 =B5@=5B: @0:B8G5A:>5 @C:>2>4AB2>. / #G51=>5 ?>A>185. .: =86=K9 4>< " ", 2010.&nbsp; 240&nbsp;A., 8;;. <li><b>%0@CB>&nbsp;.&nbsp;.</b> >=B06 8 >1@01>B:0 D>=>3@0<< 8 2845>70?8A59. 01>B0 A :><?0:B-48A:0<8: @0:B8G5A:>5 @C:>2>4AB2>. .: =86=K9 4>< " ", 2010.&nbsp; 128&nbsp;A., 8;;. <li><b>%0@CB>&nbsp; .&nbsp; .</b> ><?LNB5@=K9 0=0;87 72C:0 2 <C7K:0;L=>9 =0C:5. 74. >A:>2A:>9 :>=A5@20B>@88 8<5=8 . . '09:>2A:>3>, 2015, 448 A., 8;;. </ul> <br> <br> <a href="http://www.kharuto.ru/">0704 =0 <>9 A09B</a> </body> </html>